Twice a month, the
This usually means about 100 white and red table wines, the bulk of your purchases from Vintages.
Studies show that MOST of your wine purchases are for consumption that weekend of the release, that is, wines can be bought on the Friday night before the Saturday release (especially in the larger stores such as Queens Quay, Summerhill, Bayview Village, and Royal York), or on Saturday or Sunday for immediate drinking. Nothing wrong with that.
BUT you should know that the LCBO pops the corks on the media wines by
REMEMBER, each open bottle is hoisted by a wine writer and some LCBO people and tilted before being poured. Each bottle has been aerated by a dozen people before that PM wine writer gets there and each bottle has thus been compromised.
As additional studies show, the wines you taste at home have probably been opened only 10 minutes before you actually consume them. And you will probably finish that bottle within half an hour if you have company. That wine will taste different than the wine we taste, simply because we taste a wine that has been exposed to oxygen far longer than normal That big heavy red that we enthuse over is only good because it has been aerated longer than yours. If you were to give your bottle more aeration time, then it too will approximate what we taste in the lab. This will mean double decanting your red wines.
Your white wines of course, will need to be chilled, unlike the Vintages lab wines which have been out of the fridge for a couple of hours. But then those are the only white wines we get to taste, and some have lost their fragrance and their fragility.
Only one wine writer the guy at the Toronto Star tastes the wines at
ALSO: you may wish to consider the issue of palate fatigue. Studies have shown that wine judges face palate fatigue; they ought not to taste more than 100 wines a day. Yet wine writers at Vintages regularly taste 100 wines in a few hours! There is no way that good judgement can be made on many red wines as these are tasted after writers taste the many white wines. Most writers go through the bottles as put out by the LCBO, light white wines to heavy red wines. By the time they are halfway through the reds, their palates are compromised. Of course we constantly spit out the wines, but alcohol enters our body through the skin in the mouth. That is why some writers no longer taste all the wines, preferring to taste only half or fewer. This will also mean that they might miss a scoop or two on some interesting wines that may be forgotten in the rush.
Beware the writers who taste
REMEMBER that
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